The Partitas / Lila Dunlap

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As the title suggests, these poems were written from Bach’s Partitas for Keyboard, wherein I began writing at the beginning and ended at the end. The six sections correspond with the six partitas, and the numbered subsections, when included, indicate the beginning of a corresponding movement: Allemande, Corrente, Sarabande, whatever. Played on clavichord, as is good and right and joyful.

                              LD

 

56 pg.

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